Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edmund Clarence Stedman
Barry Cornwall
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the heart of nineteenth-century American letters stands a figure who defied easy categorization, a man who straddled two seemingly incompatible worlds with remarkable grace. Edmund Clarence Stedman, born on October 8, 1833, in Hartford, Connecticut, would become known as the "Bard of Wall Street," a sobriquet that captured both the paradox and the peculiar achievement of his life. For forty-five years, he navigate…
“Only when it takes wings does language become poetry.”
Bryan Waller Procter, known to generations of readers by the literary name Barry Cornwall, was born in Leeds, Yorkshire, on 21 November 1787, and died in London on 5 October 1874. He belonged to that broad, fascinating company of early nineteenth-century writers who stood close to the great Romantic generation without ever wholly entering its innermost circle. He was not a poet of Byron’s volcanic self-dramatization,…
“There are some faults which are not crimes at all.”
About 5,245 km separate Hartford, Connecticut, USA from Leeds, Yorkshire, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Edmund Clarence Stedman: hartford, bard of wall street, elizabeth clementine stedman, new york city, the norwich tribune, how old brown took harper's ferry, pan in wall street, yale university. Barry Cornwall: leeds, charles lamb, adelaide anne procter, dramatic scenes and other poems, the life of edmund kean, english songs, the sea, touch us gently, time!.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Edmund Clarence Stedman: Sorrow, Tenderness, Longing. Barry Cornwall: Longing, Wonder, Tenderness.
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