Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the verdant tapestry of Tudor England, where the echoes of Reformation thunder still rumbled through cathedrals and alehouses alike, emerged a poet and dramatist whose name flickers like a candle in the vast library of literary history: Robert Wever, also known at times as Richard Wever or simply R. Wever. Born around 1520 amid the turbulent reign of Henry VIII, Wever lived through an era of profound upheaval—reli…
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
Robert Wever:
tudor england, henry viii, lusty juventus, william copland, protestant reforms, pilgrimage of grace, john bale, edward vi.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.