Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas d'Urfey
Sir William Davenant
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Thomas d’Urfey, born about 1653 and dead on 26 February 1723, was one of the most tireless entertainers in English literary history: a playwright, lyricist, ballad-writer, compiler, performer, political satirist, and convivial public personality whose career stretched from the high Restoration of Charles II to the early Hanoverian age. He has seldom occupied the first rank in conventional histories of English literat…
“The town may da-da-damn me as a poet, but they sing my songs for all that.”
Sir William Davenant, baptized on 3 March 1606 and buried on 9 April 1668 after his death on 7 April, was one of the great survivors and reinvigorators of seventeenth-century English literary culture. Poet, playwright, court servant, royalist officer, prisoner, theatrical entrepreneur, and eventually the leading architect of Restoration stage practice, he lived through an age in which a writer’s career could be trans…
“How much pleasure they lose (and even the pleasures of heroic poesy are not unprofitable) who take away the liberty of a poet, and fetter his feet in the shackles of a historian.”
About 203 km separate Devon, England from Oxford, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas d'Urfey: exeter, charles ii, james butler, the siege of memphis, madam fickle, a fond husband, squire oldsapp, the comical history of don quixote. Sir William Davenant: oxford, crown tavern, frances stuart, fulke greville, the cruel brother, the temple of love, gondibert, poet laureate.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Thomas d'Urfey: Joy, Tenderness, Wonder. Sir William Davenant: Longing, Wonder, Tenderness.
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