Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas d'Urfey
Matsuo Bashō
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Thomas d’Urfey, born about 1653 and dead on 26 February 1723, was one of the most tireless entertainers in English literary history: a playwright, lyricist, ballad-writer, compiler, performer, political satirist, and convivial public personality whose career stretched from the high Restoration of Charles II to the early Hanoverian age. He has seldom occupied the first rank in conventional histories of English literat…
“The town may da-da-damn me as a poet, but they sing my songs for all that.”
Matsuo Bashō, born in 1644 and dead on 28 November 1694, occupies a singular place in Japanese literature: he was at once a professional poet, teacher, traveler, theorist, editor, correspondent, and restless seeker after a way of seeing. His name is now inseparable from haiku, although the compact poems for which he is famous were called hokku in his own lifetime and originally functioned as opening verses for collab…
“Follow the path of the ancients, seek what they sought, and then go beyond them.”
About 9,725 km separate Devon, England from Ueno, Mie Prefecture, Japan. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas d'Urfey: exeter, charles ii, james butler, the siege of memphis, madam fickle, a fond husband, squire oldsapp, the comical history of don quixote. Matsuo Bashō: ueno, iga province, tokugawa shogunate, tōdō yoshitada, kai ōi, minashiguri, haikai, haibun.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Thomas d'Urfey: Joy, Tenderness, Wonder. Matsuo Bashō: Peace, Wonder, Spirituality.
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