A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Joanna Baillie Joanna Baillie

Poet B

Letitia Elizabeth Landon Letitia Elizabeth Landon
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 72% Poems 82% Blended 77%
Swap sides Another related pair
Joanna Baillie

Joanna Baillie

11 September 1762 – 23 February 1851 (~89)
5 live poems · English

Joanna Baillie was born on 11 September 1762 at the manse of Bothwell, near Hamilton in Lanarkshire, Scotland, and died on 23 February 1851 at Hampstead, then a village on the northern edge of London. During her exceptionally long life, she became one of the most admired British writers of the Romantic period: a poet of acute observation, an ambitious theorist of the emotions, a dramatist who sought to renew tragedy…

“This book then, does not hold out the allurement of novelty.”

Neighbourhood: Dramatic Poets, Love Poets, Nature Poets, Romantic Poets, Scottish Poets, Women Poets
Emotional landscape: Tenderness, Joy, Longing
Letitia Elizabeth Landon

Letitia Elizabeth Landon

14 August 1802 – 15 October 1838 (~36)
3 live poems · English

Letitia Elizabeth Landon, born on 14 August 1802 in Chelsea, London, and dead on 15 October 1838 at Cape Coast Castle on the Gold Coast, was one of the most celebrated, industrious, and misunderstood writers of the British Romantic period. Known to her immense contemporary readership by the initials “L.E.L.,” she became a literary phenomenon while still very young: a poet whose verses appeared week after week in maga…

“Why, the very element of poetry is faith—faith in the beautiful, the divine, and the true.”

Neighbourhood: Love Poets, Romantic Poets, Women Poets
Emotional landscape: Sorrow, Despair, Longing

In time

Joanna Baillie
Letitia Elizabeth Landon
1762 1851
They overlapped for 37 years (1802–1838). When Letitia Elizabeth Landon was born, Joanna Baillie was about 40. Joanna Baillie was about 76 when Letitia Elizabeth Landon died.

On the map

About 544 km separate Bothwell, Lanarkshire, Scotland from London, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

romantic period social woman women

Joanna Baillie: bothwell, lanarkshire, james baillie, dorothea hunter baillie, william hunter, a series of plays, de monfort, the witchcraft. Letitia Elizabeth Landon: chelsea, cape coast castle, l.e.l., the fate of adelaide, the improvisatrice, william jerdan, frances arabella rowden, romantic period.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

To a Child
Joanna Baillie
77% world, childhood
Compare
Captain Cook (To My Brother)
Letitia Elizabeth Landon
A Child To His Sick Grandfather
Joanna Baillie
74% world
Compare
Captain Cook (To My Brother)
Letitia Elizabeth Landon
Sweet Power of Song
Joanna Baillie
70% memory
Compare
Captain Cook (To My Brother)
Letitia Elizabeth Landon
A Child To His Sick Grandfather
Joanna Baillie
70% love
Compare
Immolation of a Hindoo Widow
Letitia Elizabeth Landon
Saw Ye Johnny Comin
Joanna Baillie
70% world
Compare
Captain Cook (To My Brother)
Letitia Elizabeth Landon
Sweet Power of Song
Joanna Baillie
68% social
Compare
Immolation of a Hindoo Widow
Letitia Elizabeth Landon

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Joanna Baillie: Tenderness, Joy, Longing. Letitia Elizabeth Landon: Sorrow, Despair, Longing.

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