A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Charles Mackay Charles Mackay

Poet B

John Masefield John Masefield
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 72% Poems 86% Blended 78%
Swap sides Another related pair
Charles Mackay

Charles Mackay

27 March 1814 – 24 December 1889 (~75)
3 live poems · English

Charles Mackay was born in Perth, Scotland, on 27 March 1814, and died in London on 24 December 1889. During a long and unusually various career, he became known as a poet, songwriter, editor, journalist, historian of London, commentator on social life, and author of one of the nineteenth century’s most durable books of cultural psychology, Extraordinary Popular Delusions and the Madness of Crowds. He was never quite…

“Millions of people become simultaneously impressed with one delusion, and run after it, till their attention is caught by some new folly more captivating than the first.”

Neighbourhood: Folk & Ballad Poets, Social Justice Poets, Victorian Poets
Emotional landscape: Longing, Joy, Peace
John Masefield

John Masefield

1 June 1878 – 12 May 1967 (~89)
8 live poems · English

John Edward Masefield was born on 1 June 1878 in Ledbury, Herefordshire, a market town on the borderlands of England and Wales, and died on 12 May 1967 at Abingdon, then in Berkshire. During his long life he became one of Britain’s most recognizable poets: a writer of sailors, fields, foxhunts, village sinners, mythic heroes, children’s dreams, national ceremonies, and private grief. He was also a novelist, playwrigh…

“The world is round, and the place which may seem like the end may also be the beginning.”

Neighbourhood: Dramatic Poets, Edwardian Poets, Folk & Ballad Poets, Georgian Poets
Emotional landscape: Longing, Sorrow, Wonder

In time

Charles Mackay
John Masefield
1814 1967
They overlapped for 12 years (1878–1889). When John Masefield was born, Charles Mackay was about 64. John Masefield was about 11 when Charles Mackay died.

On the map

About 489 km separate Perth, Scotland from Ledbury, Herefordshire, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

social britain

Charles Mackay: perth, extraordinary popular delusions, the madness of crowds, cheer boys cheer, the good time coming, morning chronicle, glasgow argus, victorian man of letters. John Masefield: ledbury, herefordshire, hms conway, salt-water ballads, sea fever, the everlasting mercy, constance de la cherois crommelin, the tragedy of pompey the great.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Coronach, or Death-Wail
Charles Mackay
81% death, love
Compare
When Bony Death
John Masefield
Coronach, or Death-Wail
Charles Mackay
81% death, dead
Compare
Twilight
John Masefield
Coronach, or Death-Wail
Charles Mackay
79% death, dead
Compare
Bill
John Masefield
Coronach, or Death-Wail
Charles Mackay
76% death
Compare
Prayer
John Masefield
The Lark
Charles Mackay
73% world, life
Compare
Twilight
John Masefield
The Lark
Charles Mackay
72% world, life
Compare
The West Wind
John Masefield

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Charles Mackay: Longing, Joy, Peace. John Masefield: Longing, Sorrow, Wonder.

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