Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Strickland Gillilan
W. H. Davies
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Strickland Gillilan was born on 21 September 1869 in Jackson County, Ohio, a region whose rural rhythms, small-town sociability, and vigorous political culture supplied much of the material from which he would make a career. He died on 25 April 1954 in Baltimore, Maryland, after a long life spent as a journalist, lecturer, humorist, versifier, and public entertainer. In the literary histories that privilege modernism…
“Successfully entertaining talks are my merchandise.”
William Henry Davies, known throughout his writing life as W. H. Davies, was born on 3 July 1871 at 16 Portland Street in Newport, Monmouthshire, Wales, and died on 26 September 1940 in Nailsworth, Gloucestershire. He remains one of the most unusual figures in twentieth-century British literature: a poet of birds, rain, flowers, beggars, exhausted workers, roadside freedom, and the precarious dignity of people whom r…
“People are not to be blamed for their doubts, but that they make no effort to arrive at the truth.”
About 6,065 km separate Jackson County, Ohio, USA from Newport, Wales. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Strickland Gillilan: jackson county, baltimore, the reading mother, including finnigin, sunshine and awkwardness, humorist, newspaper-minded poet, public entertainer. W. H. Davies: newport, monmouthshire, the soul destroyer, leisure, george bernard shaw, edward thomas, super-tramp, the autobiography of a super-tramp.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Strickland Gillilan: Joy, Wonder, Irony. W. H. Davies: Tenderness, Wonder, Longing.
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