Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Richard Henry Horne entered the world in London on the last day of 1802 (though he himself, with characteristic contrariness, sometimes gave the date as New Year's Day 1803), the son of James Horne, a quarter-master in the 61st Regiment of Foot. His father's military postings took the family to Guernsey, where they lived until James Horne's death in 1810 left the boy fatherless at the age of seven or eight. The young…
“The price of the present edition is one farthing, in order to bring it within the reach of the million.”
Neighbourhood:
Dramatic Poets, Romantic Poets, Social Justice Poets, Victorian Poets
Jeremiah Joseph Callanan, born in 1795 and dead on 19 September 1839, occupies a distinctive if sometimes precarious place in the history of nineteenth-century Irish poetry. He is remembered above all for poems that gave English-language readers access to the emotional force, compressed imagery, and historical sorrow of Irish Gaelic song. His best-known pieces, including “The Outlaw of Loch Lene,” “The Dirge of O’Sul…
They overlapped for 37 years (1803–1839).
When Richard Henry Horne was born, Jeremiah Joseph Callanan was about 8.
Richard Henry Horne was about 36 when Jeremiah Joseph Callanan died.
About 533 km separate
London, England from
Youghal, County Cork, Ireland.
Different countries, different weather — unless a poem carries one landscape into the other.
Richard Henry Horne:
london, guernsey, royal military college, orion, hecatompylos, elizabeth barrett browning, william howitt, cosmo de' medici.
Jeremiah Joseph Callanan:
county cork, cork city, the outlaw of loch lene, the dirge of o'sullivan bear, gougane barra, the recluse of inchidoney, trinity college dublin, irish-language verse.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
