A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Philip Bourke Marston Philip Bourke Marston

Poet B

Andrew Marvell Andrew Marvell
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 77% Poems 92% Blended 84%
Swap sides Another related pair
Philip Bourke Marston

Philip Bourke Marston

13 August 1850 – 13 February 1887 (~37)
22 live poems · English

Philip Bourke Marston was born in London on 13 August 1850 and died there on 13 February 1887, only thirty-six years later. His short life was shaped by an unusually concentrated mixture of literary privilege, physical disability, bereavement, emotional intensity, and artistic determination. During his lifetime he was admired by prominent writers, including Algernon Charles Swinburne, and was known in literary circle…

“No poem gives me such an idea of the heartlessness of Nature. The poem is Death within and Summer without—light girdling darkness—and it leaves a picture and impression on the mind never to be effaced.”

Neighbourhood: Death & Mortality, Love Poets, Pre-Raphaelite Poets, Victorian Poets
Emotional landscape: Longing, Sorrow, Tenderness
Andrew Marvell

Andrew Marvell

31 March 1621 – 16 August 1678 (~57)
8 live poems · English

Andrew Marvell was born on March 31, 1621, in the small village of Winestead in the East Riding of Yorkshire, England, the son of the Reverend Andrew Marvell and Anne Pease Marvell. The family soon moved to the bustling port town of Hull when the elder Marvell was appointed lecturer at Holy Trinity Church and master of the Charterhouse, a charitable institution. Young Andrew grew up amid the sounds of the sea and the…

“I am (if I may say it with reverence) drawn in, I hope by a good Providence, to intermeddle in a noble and high argument.”

Neighbourhood: Cavalier Poets, Love Poets, Metaphysical Poets, Political Poets
Emotional landscape: Longing, Sorrow, Wonder

In time

Philip Bourke Marston
Andrew Marvell
1621 1887
Their lives did not overlap. 172 years separate the earlier death from the later birth.

On the map

About 250 km separate London, England from Winestead-in-Holderness, Yorkshire, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Philip Bourke Marston: london, john westland marston, algernon charles swinburne, song-tide and other poems, all in all, blindness, victorian poetry, pre-raphaelite. Andrew Marvell: winestead, hull, trinity college, mary fairfax, upon appleton house, the garden, to his coy mistress, the mower's song.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Love's Warfare
Philip Bourke Marston
84% love, suffering, blood
Compare
The Unfortunate Lover
Andrew Marvell
Quantum Mutatus!
Philip Bourke Marston
83% love, suffering, world
Compare
The Unfortunate Lover
Andrew Marvell
Love's Answer
Philip Bourke Marston
82% love
Compare
The Definition of Love
Andrew Marvell
Shameless Love
Philip Bourke Marston
82% love
Compare
The Unfortunate Lover
Andrew Marvell
The One Gift
Philip Bourke Marston
81% love, lover
Compare
The Unfortunate Lover
Andrew Marvell
Shameless Love
Philip Bourke Marston
81% love, life
Compare
To His Coy Mistress
Andrew Marvell

The world around them

Emotional landscapes

Philip Bourke Marston: Longing, Sorrow, Tenderness. Andrew Marvell: Longing, Sorrow, Wonder.

Skip to main content