A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Jane Austen Jane Austen

Poet B

Amelia Alderson Opie Amelia Alderson Opie
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 70% Poems 75% Blended 72%
Swap sides Another related pair
Jane Austen

Jane Austen

16 December 1775 – 18 July 1817 (~42)
2 live poems · English

Jane Austen was born on 16 December 1775 at Steventon, Hampshire, into a family whose modest circumstances, intellectual liveliness, and close emotional bonds supplied the material conditions for an extraordinary literary education. She was the seventh of eight children born to the Reverend George Austen and Cassandra Leigh Austen. Her father was rector of the parishes of Steventon and Deane; her mother came from the…

“Pictures of perfection, as you know, make me sick and wicked.”

Neighbourhood: Light Verse Poets, Romantic Poets, Women Poets
Emotional landscape: Irony, Sorrow, Longing
Amelia Alderson Opie

Amelia Alderson Opie

12 November 1769 – 2 December 1853 (~84)
19 live poems · English

Amelia Alderson Opie entered the world on a crisp November day in 1769, born into the bustling heart of Norwich, that ancient cathedral city pulsing with intellectual and radical energy. The only child of Dr. James Alderson, a respected physician known for his generosity to the poor and his progressive views, and his wife Amelia Briggs, she arrived on November 12, destined to weave her own vibrant thread into the tap…

“No wonder then that, when mind fits mind, the pleasure should be so great.”

Neighbourhood: Love Poets, Political Poets, Romantic Poets, Women Poets
Emotional landscape: Longing, Tenderness, Sorrow

In time

Jane Austen
Amelia Alderson Opie
1769 1853
They overlapped for 43 years (1775–1817). When Jane Austen was born, Amelia Alderson Opie was about 6. Amelia Alderson Opie was about 48 when Jane Austen died.

On the map

About 232 km separate Steventon, Hampshire, England from Norwich, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

novel

Jane Austen: steventon, hampshire, cassandra austen, sense and sensibility, pride and prejudice, northanger abbey, tom lefroy, harris bigg-wither. Amelia Alderson Opie: norwich, john opie, william godwin, mary wollstonecraft, the dangers of coquetry, the father and daughter, adelaide, adeline mowbray.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

When Stretch'd On One's Bed
Jane Austen
75% world
Compare
Stanzas of Sorrow
Amelia Alderson Opie
When Stretch'd On One's Bed
Jane Austen
70% social
Compare
Crazy Sally!
Amelia Alderson Opie
When Stretch'd On One's Bed
Jane Austen
70% social, life
Compare
Go, Youth Beloved, in Distant Glades
Amelia Alderson Opie
When Stretch'd On One's Bed
Jane Austen
69% pain, life
Compare
Let Not Sorrow Cloud Thy Brow
Amelia Alderson Opie
When Stretch'd On One's Bed
Jane Austen
69% suffering
Compare
To a Maniac
Amelia Alderson Opie
When Stretch'd On One's Bed
Jane Austen
69% social, life
Compare
The Voice of Him I Love
Amelia Alderson Opie

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Jane Austen: Irony, Sorrow, Longing. Amelia Alderson Opie: Longing, Tenderness, Sorrow.

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