A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Acciaccatura

Musical Terms
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

Acciaccatura is a short ornamental grace note, often crushed against the main note and quickly released, creating a dissonant “crushed” effect.

Detailed Definition
Poets employ acciaccatura to depict sudden, fleeting disruptions or emphatic accents within flowing lines, mirroring the ornament’s brief clash before resolution. In literature, it signifies momentary tensions or decorative flourishes that add color and surprise to rhythmic flow, as in love lyrics or dramatic monologues where sharp interjections heighten intensity. This term’s significance lies in its ability to evoke musical expressiveness in verse, where a single stressed syllable or unexpected image functions like the crushed note. By borrowing from Baroque performance practice, poets enhance auditory texture, inviting readers to experience language as ornamented melody that delights through precise, transient dissonances before returning to harmonic smoothness.
Example
Example in poetry:
The poet uses acciaccatura-like sudden sharp stresses on key words to create a crushed, dissonant emotional effect before resolution.; In the line describing heartbreak, an acciaccatura of harsh consonants clashes briefly against the smoother melody of the verse.; Poets employ acciaccatura for quick ornamental accents that add expressive bite to an otherwise flowing stanza.; The grace note of regret hits like an acciaccatura, leaning heavily on the main image of loss.; In modernist poetry, acciaccatura appears as abrupt, crushed syllables that disrupt and then resolve the rhythm.; The poet inserts acciaccatura moments of exclamation to heighten tension in the lyrical flow.
Additional Notes
Acciaccatura, as a crushed ornamental grace note creating brief dissonance before quick release, translates in poetry to sudden, fleeting accents or harsh interjections that add expressive bite and tension within smoother lines. Educational value for students lies in recognizing these as momentary clashes—via clustered consonants or abrupt imagery—that heighten drama before resolution, drawing from Baroque ornamentation. Usage tip: scan lines for "crushed" effects like emphatic stresses leaning into main syllables, then experiment with inserting them to intensify emotional peaks in drafts. Related to appoggiatura and grace note, it sharpens awareness of micro-level rhythmic and harmonic friction; professors can use it to discuss how such ornaments mirror psychological interruptions or decorative flourishes in lyric poetry, enriching close reading of sonic texture and performative delivery.
Also Known As
crushed note short grace hammered ornament
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