A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



bezonian

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A contemptuous term for a low, worthless fellow; a beggar or base knave, used as an insult implying extreme worthlessness.

Detailed Definition
"Bezonian" likely derives from Italian "bisogno" (need) through Spanish "bisoño" (raw recruit), and entered English as a harsh insult meaning a needy wretch or contemptible beggar. The term appears most famously in Shakespeare's "Henry IV, Part 2," where Pistol uses it as part of his bombastic vocabulary. Its exotic sound and obscure origin made it effective for characters employing inflated rhetoric or affecting military swagger. Poets and playwrights valued such rare, colorful insults for characterization, using them to distinguish speakers who favor elaborate invective over plain speech. The word's very unfamiliarity heightened its contemptuous force while adding linguistic texture to dramatic or satirical verse. It exemplifies how English absorbed foreign military terminology that then became tools for creative verbal combat.
Example
Example in poetry:
Away, you base bezonian, you common scoundrel!; Shakespeare uses bezonian to insult worthless knaves; "Bezonians and rogues infest the tavern"; The knight scorned bezonians who had no honor; Bezonians were considered the lowest of soldiers; The angry lord called his betrayer a bezonian
Additional Notes
Bezonian appears almost exclusively in early modern drama and invective, most famously in Shakespeare's "Henry IV Part 2" where Pistol hurls it as insult. Its etymology (from Spanish "bisoño," meaning recruit or novice) evolved into pure contempt, suggesting the lowest social rank. The term combines implications of military inexperience, poverty, and moral baseness. Related to "base knave" and "varlet" but more emphatic. Essential for analyzing social hierarchy, military culture, and the language of insult in Renaissance drama. Its Spanish origin reflects England's military and cultural contact with Spain. The term's rarity makes it a marker of deliberately colorful or archaic vituperation, suggesting characters affecting sophisticated insults or period-accurate abuse.
Also Known As
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