A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Catalexis

Prosody
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A metrical truncation where the final syllable or unstressed element of a line is omitted, creating an abrupt or incomplete rhythmic close.

Detailed Definition
Catalexis involves shortening a metrical line by dropping its expected final syllable, often in trochaic or anapestic verse, to produce a jagged, emphatic halt that underscores urgency or finality. Seen in ballads like "The Rime of the Ancient Mariner" by Coleridge, it heightens dramatic tension by mimicking interrupted thought; in broader literature, it signifies prosody's adaptability to content, enabling poets to evoke incompleteness or prophecy, and its use persists in modern poetry to disrupt expectations, fostering deeper engagement with themes of loss or revelation through rhythmic surprise.
Example
Example in poetry:
Coleridge's "The Rime of the Ancient Mariner" uses catalexis in trochaic tetrameter lines like "Water, water, everywhere," omitting final unstressed syllables for eerie abruptness; In Shakespeare's plays, catalexis truncates iambic pentameter for dramatic interruption, as in Hamlet's "To be or not to be"; An example for learners: "The wind howls fierce" (catalectic trochee) versus full "The wind howls fiercely" to show rhythmic halt; Longfellow's "Hiawatha" employs catalexis in anapestic lines to mimic oral storytelling's punchy ends; Modern poets like Seamus Heaney use it in translations to preserve ancient verse's clipped intensity.|In ballads such as "Sir Patrick Spens," catalexis creates incomplete lines emphasizing doom; Practice by shortening a dactylic line: "Tumbling waves crash on the shore" becomes catalectic for urgency.
Additional Notes
Catalexis truncates lines for emphatic ends, a key tool for students to analyze abruptness in ballads or dramatic verse, related to hypercatalexis (extra syllable) for contrast; in Coleridge or Shakespeare, it heightens urgency, preventing rhythmic predictability; for deeper study, examine its role in oral traditions like Anglo-Saxon poetry; tip: when composing, apply catalexis to trochaic tetrameter for folk-like punch, scanning full vs. truncated lines to grasp how it manipulates expectation and underscores themes of interruption or finality.
Also Known As
metrical truncation acatalexis (opposite) Truncation
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