Truncation shortens a metrical line by dropping its last unstressed syllable, converting a feminine ending to a stronger, abrupt masculine close. This technique sharpens emphasis, alters pace, and is common in dramatic verse or when poets seek heightened intensity or finality in a line’s delivery.

Truncation (catalexis) removes the final unstressed syllable of a metrical line, creating a blunt, emphatic close; common in trochaic meter (“Tyger Tyger, burning bright”) or ballad quatrains; students should recognize it by counting syllables against expected meter; enhances rhythmic drive and oral punch; overuse can feel choppy; often paired with masculine rhyme; useful in songs, chants, or dramatic monologues where finality is desired; distinguish from acephalous lines (missing initial syllable).