earing

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

The process of forming ears of grain; the time when grain begins to develop its seed heads; also an archaic term for ploughing land.

Detailed Definition
Earing (or earring in its agricultural sense) derives from Old English "erian" (to plough) and in one usage refers to the act of ploughing, while in another it describes the development of "ears"—the seed heads of grain. The ambiguity reflects two distinct etymological paths, but in poetry both meanings relate to the fundamental processes of grain cultivation. The formation of ears is the moment when a grain crop declares its potential abundance—the visible sign that the year's labor will yield a harvest. Poets of the agricultural calendar use earing to mark this crucial stage, the turning point between uncertain growth and anticipated harvest. Shakespeare uses "earing" in the sense of ploughing in Antony and Cleopatra, where Egypt's soil is described as perpetually fertile and self-renewing.
Example
Example in poetry:
The moment of earing — when the grain crop's seed heads emerge from the flag leaf — marks the point of no return in the agricultural year, the crop declaring its potential and committing to its destiny; Shakespeare uses "earing" (in the sense of ploughing) in Antony and Cleopatra to describe Egypt's fertile soil, situating the play's sensuous excess within an agricultural metaphor of perpetual generative readiness; A poet might write "by earing time the field had committed itself to abundance, each stem raising its laden head as if in answer to a question the sky had asked all summer"; The earing stage of grain growth — visible from a distance as the field's texture changes and its color shifts from green toward gold — is one of the most dramatic transformations in the agricultural landscape, a visible sign of approaching harvest; In poems about patience and the rewards of labor, earing serves as the moment when long effort becomes visible abundance — the investment of ploughing, harrowing, and sowing rewarded by the emergence of the grain's promise; The dual etymology of earing — connected both to the "ear" of grain and to the ancient "erian" (to plough) — gives the word a depth available to etymologically alert poets, the two meanings of beginning and culmination compressed into a single term.
Additional Notes
Earing presents a fascinating etymological split that students should understand clearly to avoid confusion: there are two distinct words spelled "earing" with different etymologies and meanings. The first derives from Old English "erian" (to plough) and means the act of ploughing — this is the sense in which Shakespeare uses it in Antony and Cleopatra (Act I, Scene ii). The second derives from "ear" (the seed head of grain) and means the development of grain's seed heads. Students should determine from context which meaning is operative, though in some cases both may be deliberately invoked. The ploughing sense is the more archaic and appears primarily in texts before 1700; the ear-formation sense is more broadly distributed. For poetry students, the ear-formation sense is the more productive metaphorically: the moment when grain declares its potential abundance is a powerful image of the visible result of hidden growth. Shakespeare's usage should be consulted directly to understand the ploughing sense in dramatic context. Related terms: tilth, tillage, furrow, coulter.
Also Known As
earing-time harvest ear-formation heading
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