Parody in poetry is a form of intertextual critique or homage that imitates the style, tone, diction, or structure of a well-known poem, poet, or literary convention with deliberate exaggeration, irony, or humorous distortion to expose its conventions, challenge its assumptions, or comment on its cultural significance; unlike mere imitation, parody carries a critical or satirical edge—such as Alexander Pope’s lampooning of epic grandeur in "The Rape of the Lock"—and often functions as both entertainment and intellectual commentary, revealing the gap between original intent and contemporary reinterpretation while simultaneously demonstrating the parodist’s deep familiarity with the source material.

Imitates another work's style for comic or critical effect. Differs from pastiche by adding satirical intent. Requires thorough knowledge of target. Balance recognition with independent artistic merit.