The Roman de la Rose, begun by Guillaume de Lorris and completed by Jean de Meun, is the greatest monument of medieval French
poésie narrative: its allegorical story of
the pursuit of the Rose combines courtly romance, philosophical debate, and social satire in 21,000 lines of octosyllabes; Marie de
France's Lais are verse narratives that demonstrate the essential quality of poésie narrative: they tell stories of love, magic, and transformation with an economy and psychological precision that the novel would later achieve only in thousands of pages of prose; Voltaire's "La Henriade"
shows how poésie narrative can accommodate philosophical argument
within the formal vehicle of the epic narrative, using the story of Henri IV's
conversion and the Wars of
Religion to argue for religious
tolerance; A student writing poésie narrative should choose a specific incident, real or imagined, and tell it in verse, discovering how the formal constraint of meter and rhyme changes the experience of narrative: what must be compressed, what can be expanded, and what gains from being told in verse rather than prose; La Fontaine's Fables are the
supreme achievement of short poésie narrative in French: each fable tells a complete story in twenty to sixty lines, using verse economy to achieve a density of characterization, atmosphere, and moral insight that extended prose narration rarely matches; The relationship between poésie narrative and the novel is one of
the great questions of French literary history: as the novel grew through the 18th and 19th centuries, narrative poetry declined, but Romantic and modern poets regularly revived verse narrative as an alternative to the novel's expansiveness.