The most famous French priamèle appears in Villon's "
Ballade des dames du temps
jadis": after asking where Flora, Héloïse, and Blanche de Castille are now, the refrain "Mais où sont les neiges d'antan?" delivers the privileged final term that transforms the catalogue of
vanished women into a meditation on universal transience; La Fontaine's Fables occasionally use the priamèle structure in their morals: after listing several cases of similar behavior, the final item receives the definitive moral emphasis that retrospectively illuminates all the preceding examples as instances of the same principle; Petrarch's "Canzoniere" uses priamèle structures in his catalogues of beautiful things that pale before Laura's beauty: others may praise gold hair or red lips, but the poet's praise of his
beloved transcends all the preceding comparisons by addressing what they all approach without capturing; A student practicing the priamèle should write an enumeration of five or six items in a consistent category, then deliver a final item that is either the culmination, the
contradiction, or the most personal and unexpected member of the series, giving it the weight that the preceding accumulation makes possible; The priamèle's structure is fundamentally rhetorical: it creates a
pattern of expectation that the final term fulfills, exceeds, or subverts, and the
pleasure of the device lies in how completely the final term transforms the meaning of everything that preceded it; The ubi sunt question in medieval poetry, "where are the snows of yesteryear?", is itself a kind of priamèle, the enumeration of vanished beauties leading to the privileged conclusion that transience is the universal condition that subsumes all the individual cases.