Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Alan Seeger
Arthur O'Shaughnessy
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Alan Seeger was born in New York City on 22 June 1888, into an American family whose comfort, education, and international connections gave him unusual freedom while also placing before him the question of what a privileged young man ought to do with his life. He died on 4 July 1916, age twenty-eight, in the Battle of the Somme while serving in the French Foreign Legion. In the years between those dates he became, in…
“The war has given me a new zest for life.”
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“My meaning is that Art is good—is an incalculable gain to man.”
About 5,558 km separate New York City, New York, USA from Ealing, London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Alan Seeger: new york city, battle of the somme, french foreign legion, i have a rendezvous with death, the torture of cuauhtemoc, charles seeger sr., elsie simmons adams seeger, pete seeger. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Alan Seeger: Longing, Tenderness, Wonder. Arthur O'Shaughnessy: Longing, Sorrow, Despair.
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