Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Arthur O'Shaughnessy
Abraham Cowley
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“A clerk in the Secretary's Office told me ‘it was all about my book’.”
In the tumultuous landscape of seventeenth-century English literature, few figures shine with such early brilliance yet fade with such puzzling rapidity as Abraham Cowley. Born in 1618 in London, this prodigious poet who published his first collection at fifteen, who dazzled the cavalier court and influenced an entire generation of writers, who was buried in Westminster Abbey beside Chaucer and Spenser, somehow slipp…
“Virtue is its own reward, but it seldom finds an appreciative audience.”
About 13 km separate Ealing, London, England from Fleet Street, City of London, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston. Abraham Cowley: london, westminster abbey, edmund spenser, the faerie queene, westminster school, trinity college cambridge, english civil war, royalist.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Arthur O'Shaughnessy: Longing, Sorrow, Despair. Abraham Cowley: Longing, Sorrow, Wonder.
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