Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
William Collins, born in Chichester on 25 December 1721 and dead there on 12 June 1759, occupies a small but luminous space in English literary history. He published little, lived only thirty-seven years, and spent much of his adult life under the shadow of debt, disappointment, and severe mental distress. Yet a handful of poems, especially the odes issued in 1746, have secured him a place among the most distinctive…
Neighbourhood:
Augustan Poets, Death & Mortality, Romantic Poets
In the autumn of 1773, a slender volume of poetry emerged from a London printing house that would forever alter the landscape of American literature. "Poems on Various Subjects, Religious and Moral" bore the name of its author on the title page: Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston. This seemingly simple attribution concealed a profound paradox that would define both the poet's life and her…
“The same principle lives in us all.”
Neighbourhood:
African American Poets, American Poets, Colonial American Poets, Devotional Poets, Political Poets, Women Poets
They overlapped for 7 years (1753–1759).
When Phillis Wheatley was born, WIlliam Collins was about 32.
Phillis Wheatley was about 6 when WIlliam Collins died.
About 4,360 km separate
Chichester, West Sussex, England from
Senegal or Gambia, West Africa.
Different countries, different weather — unless a poem carries one landscape into the other.
WIlliam Collins:
chichester, joseph warton, odes on several descriptive and allegoric subjects, ode to evening, ode to pity, ode to fear, ode to simplicity, ode to liberty.
Phillis Wheatley:
boston, west africa, john wheatley, susanna wheatley, george whitefield, to his excellency general washington, poems on various subjects, neoclassical verse.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.