Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Emily Dickinson
Hildegard of Bingen
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Emily Elizabeth Dickinson was born on 10 December 1830 in Amherst, Massachusetts, and died there on 15 May 1886. During her lifetime she was known, if at all beyond her immediate circle, as the daughter of a prominent local family, an unusually lively correspondent, a gardener, and eventually a woman who lived with increasing privacy. After her death, she emerged as one of the most startling and essential poets in th…
“Find ecstasy in life; the mere sense of living is joy enough.”
Hildegard of Bingen, born around 1098 and dead on 17 September 1179, was among the most astonishingly various voices of the twelfth century: abbess, visionary, theological writer, poet, composer, correspondent, preacher, administrator, and observer of the natural world. To call her simply a “medieval mystic,” though true as far as it goes, is to make her smaller than she was. Her life unfolded within the institutions…
“The soul is not in the body as in a house, but as a hinge is in a door.”
About 5,981 km separate Amherst, Massachusetts, USA from Bermersheim, Rhineland-Palatinate, Germany. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Emily Dickinson: amherst, massachusetts, edward dickinson, susan gilbert, because i could not stop for death, fascicles, mount holyoke female seminary, civil war. Hildegard of Bingen: bermersheim, rhineland, scivias, symphonia armoniae celestium revelationum, jutta of sponheim, volmar, richardis of stade, abbess.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Emily Dickinson: Wonder, Spirituality, Longing. Hildegard of Bingen: Spirituality, Wonder, Tenderness.
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