Beginning of Fascicle-Making: Formal Copying of Poems
Poet involved
What happened
In 1858, Emily Dickinson began the practice of making formal, fair copies of her poems, sewing them into small handmade booklets known as fascicles, at the Homestead in Amherst, Massachusetts. She would eventually create forty such volumes containing nearly 800 poems.
Literary impact
The fascicles represent Dickinson's most deliberate act of self-arrangement as a poet, revealing her careful attention to order, sequence, and the material presentation of her work. This private publishing project, never intended for public eyes, demonstrates her commitment to poetry as a calling and her conception of her poems as a coherent, interconnected body of work.
Source: Wikipedia
