Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Publius Ovidius Naso
Arthur O'Shaughnessy
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Publius Ovidius Naso, known in English as Ovid, was born on 20 March 43 BC at Sulmo, a prosperous town in the Apennine country east of Rome, now Sulmona in the Abruzzo region of Italy. He died in exile at Tomis on the western shore of the Black Sea, probably in AD 17 or 18. Few ancient poets have left so vivid a record of their public voice, artistic ambitions, pleasures, fears, and humiliations; yet Ovid remains, in…
“Note the outcome; result validates the deed.”
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“They are therefore essentially thoughts in marble, or poems of form, and it would therefore be unjustifiable to look in them for a sense which is not inherent in the purest Parian.”
About 1,506 km separate Sulmona, Abruzzo, Italy from Ealing, London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Publius Ovidius Naso: sulmo, tomis, ars amatoria, heroides, amores, propertius, virgil, aemilius macer. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Publius Ovidius Naso: Despair, Sorrow, Longing. Arthur O'Shaughnessy: Longing, Sorrow, Despair.
Install V2Melody
Add a home-screen icon for quicker listening in a simple app window.