Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Helen Hamilton, born on 12 March 1882 and dead on 7 November 1954, occupies an unusual place in the literary history of the First World War. Her name survives most securely through a small number of fiercely memorable poems, above all “The Jingo-Woman,” a work whose bitter dramatic irony has made it one of the most frequently recovered anti-war poems written from a woman’s perspective. Yet the biographical record sur…
Neighbourhood:
Edwardian Poets, Modernist Poets, Political Poets, Social Justice Poets, Women Poets
The story of Conrad Potter Aiken (August 5, 1889 – August 17, 1973) reads like something from a Gothic novel, yet it is the true foundation upon which one of twentieth-century America's most psychologically complex poets built his life and work. Born into comfortable circumstances in Savannah, Georgia, Aiken seemed destined for the privileged life his family background suggested. His father, William Ford Aiken, had s…
“Can one safely prophesy about any poet? It is doubtful.”
Neighbourhood:
American Poets, Death & Mortality, Modernist Poets, Symbolist Poets
About 6,683 km separate
London, England from
Savannah, Georgia, USA.
Different countries, different weather — unless a poem carries one landscape into the other.
Helen Hamilton:
the jingo-woman, first world war, anti-war poetry, british poet, great war, women's public speech, patriotism debates, elizabeth barrett browning.
Conrad Aiken:
savannah, georgia, william ford aiken, anna potter aiken, ushant, the charnel rose, the jig of forslin, the house of dust, senlin: a biography.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.