Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Robert Stephen Hawker
Robert Nichols
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the rugged landscape of Victorian Cornwall, where granite cliffs meet the tempestuous Atlantic and ancient legends whisper through the mist, there lived a man whose life embodied the very essence of romantic poetry. Robert Stephen Hawker (1803-1875) was not merely a poet who happened to be a clergyman, nor simply a priest who dabbled in verse. He was a singular figure whose eccentric personality, passionate dedica…
“What a life mine would be if it were all written and published in a book.”
In the pantheon of early twentieth-century British poetry, certain voices echo through the decades with enduring resonance, while others fade into the margins of literary history despite their once-prominent positions. Robert Malise Bowyer Nichols belongs to this latter category—a poet whose name once commanded respect in literary circles, whose work appeared alongside that of his more famous contemporaries, yet whos…
“These poems form some slight memorial of an intimacy with Nature which War has destroyed since I now see Nature as the Great Indifferent.”
About 206 km separate Plymouth, Devon, England from Shanklin, Isle of Wight, England. Both have ground in England.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Robert Stephen Hawker: cornwall, morwenstow, charlotte i'ans, newdigate prize, pompeii, tendrils, records of the western shore, ecclesia. Robert Nichols: shanklin, isle of wight, john bowyer buchanan nichols, mary catherine nichols, invocation: war poems and others, aurelia and other poems, w.b. yeats, georgian poets.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Robert Stephen Hawker: Spirituality, Wonder, Fear. Robert Nichols: Sorrow, Despair, Longing.
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