Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Clare
W. H. Davies
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
John Clare was born on 13 July 1793 in Helpston, a village then in Northamptonshire and now associated with Cambridgeshire, and died on 20 May 1864 in Northampton General Lunatic Asylum. He came to be called the “peasant poet,” a phrase that helped sell his first books but also diminished him by making his social origins seem more important than his imagination. Clare was indeed the son of agricultural labourers, a m…
“I am a poet, and I know it, though I cannot boast of learning.”
William Henry Davies, known throughout his writing life as W. H. Davies, was born on 3 July 1871 at 16 Portland Street in Newport, Monmouthshire, Wales, and died on 26 September 1940 in Nailsworth, Gloucestershire. He remains one of the most unusual figures in twentieth-century British literature: a poet of birds, rain, flowers, beggars, exhausted workers, roadside freedom, and the precarious dignity of people whom r…
“They make literature a mask to hide their real personality, and how can they expect to attain that strength which only comes through honesty and sincerity?”
About 218 km separate Helpston, Northamptonshire, England from Newport, Wales. Both have ground in England.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
John Clare: helpston, northamptonshire, peasant poet, mary joyce, martha turner, poems descriptive of rural life and scenery, the village minstrel, the mores. W. H. Davies: newport, monmouthshire, the soul destroyer, leisure, george bernard shaw, edward thomas, super-tramp, the autobiography of a super-tramp.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
John Clare: Tenderness, Wonder, Spirituality. W. H. Davies: Tenderness, Wonder, Longing.
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