Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Robert Nichols
William Ernest Henley
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the pantheon of early twentieth-century British poetry, certain voices echo through the decades with enduring resonance, while others fade into the margins of literary history despite their once-prominent positions. Robert Malise Bowyer Nichols belongs to this latter category—a poet whose name once commanded respect in literary circles, whose work appeared alongside that of his more famous contemporaries, yet whos…
“War doesn't ennoble: it degrades.”
William Ernest Henley was born on 23 August 1849 in Gloucester, England, and died on 11 July 1903 at Woking, Surrey. He occupies an unusual place in English literary history: widely remembered by the public for a single short poem, “Invictus,” yet far more consequential in his own age as a poet, editor, critic, journalist, dramatist, and formidable presence in literary society. Henley’s life was shaped by physical pa…
“Time and chance have gone demented, fate has turned comic poet, society has become its own parody, everybody is the irrepressible caricature of himself.”
About 156 km separate Shanklin, Isle of Wight, England from Gloucester, England. Both have ground in England.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Robert Nichols: shanklin, isle of wight, john bowyer buchanan nichols, mary catherine nichols, invocation: war poems and others, aurelia and other poems, w.b. yeats, georgian poets. William Ernest Henley: gloucester, woking, invictus, thomas edward brown, joseph lister, in hospital sequence, anna boyle, margaret emma henley.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Robert Nichols: Sorrow, Despair, Longing. William Ernest Henley: Sorrow, Despair, Longing.
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