Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Emanuel Morgan occupies one of the most unusual positions in American literary history: he was a poet who never existed in the ordinary biographical sense, yet whose poems, reputation, controversies, and afterlife have proved remarkably real. The dates commonly attached to him, 1916–1917, refer not to the span of a human life but to the brief public career of a deliberately invented authorial persona. “Emanuel Morgan…
In the pantheon of early twentieth-century British poetry, certain voices echo through the decades with enduring resonance, while others fade into the margins of literary history despite their once-prominent positions. Robert Malise Bowyer Nichols belongs to this latter category—a poet whose name once commanded respect in literary circles, whose work appeared alongside that of his more famous contemporaries, yet whos…
“War doesn't ennoble: it degrades.”
Neighbourhood:
Edwardian Poets, Georgian Poets, War Poets
They overlapped for 2 years (1916–1917).
When Emanuel Morgan was born, Robert Nichols was about 23.
Robert Nichols was about 24 when Emanuel Morgan died.
About 5,531 km separate
New York City, New York, USA from
Shanklin, Isle of Wight, England.
Different countries, different weather — unless a poem carries one landscape into the other.
Emanuel Morgan:
spectrism, witter bynner, arthur davison ficke, santa fe, harvard university, tao te ching, mock avant-garde, poetry society of america.
Robert Nichols:
shanklin, isle of wight, john bowyer buchanan nichols, mary catherine nichols, invocation: war poems and others, aurelia and other poems, w.b. yeats, georgian poets.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.