Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas Shadwell
Katherine Philips
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Thomas Shadwell, born about 1642 and dead on 19 November 1692, was one of the busiest, most contentious, and most revealing writers of England’s Restoration. He wrote poems, prologues, epilogues, political satires, translations, and royal panegyrics, but his chief achievement was in the theatre. For more than two decades he supplied London with comedies whose streets, taverns, gaming rooms, spas, lodgings, laboratori…
“Every man loves what he is good at.”
Katherine Philips, born Katherine Fowler on 1 January 1632 and dead at only thirty-two on 22 June 1664, achieved a distinction that would have seemed improbable in the unsettled England of her youth: she became a celebrated poet while she was still alive, and she did so as a woman writing in forms and subjects conventionally claimed by men. Known to her readers and friends as “Orinda,” Philips fashioned poems of frie…
“I find too there are few Friendships in the World Marriage-Proof; especially when the Person our Friend marries has not a Soul particularly capable of the Tenderness of that Endearment. We may generally conclude the Marriage of a Friend to be the Funeral of a Friendship.”
About 174 km separate Santon Hall, Norfolk, England from London, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas Shadwell: norfolk, santon hall, the sullen lovers, the libertine, the virtuoso, ben jonson, john dryden, whig polemicist. Katherine Philips: orinda, society of friendship, friendship's mystery, james philips, cardiganshire, london, puritan culture, civil wars.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Thomas Shadwell: Despair, Fear, Longing. Katherine Philips: Tenderness, Spirituality, Wonder.
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