A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard


Katherine Philips

Katherine Philips

Poet
1 January 1632 – 22 June 1664 (~32)
2 musicalized 1 unmusicalized
In their words

“Happiness, I confess, is twofac'd, and one is Opinion; but that Opinion is certainly our own; for it were equally ridiculous and impossible to shape our Actions by others Opinions.”

Asserting the sovereignty of one's own judgment over external expectations · Letter to Berenice, c. 1663

Themes this poet returns to

Drawn from 2 critiqued poems on V2Melody.

Poets whose work rhymes

Poet Emotional Landscape

Based on 2 poems currently available on V2Melody with emotion profiles. This aggregated view is an interpretive catalogue guide — not a diagnosis of the poet's personality.

Provisional landscape — based on a small sample; more profiled poems will refine this view.

Across 2 profiled poems currently on V2Melody, this poet's musicalized work tends toward tenderness, spirituality, and wonder. This is an interpretive catalogue view drawn from averaged poem mood profiles — not a portrait of the author.

Dominant tones (average)
Emotional range across profiled poems

Emotional range: moderate range in tenderness (75–85); high variety in spirituality (60–90).

Typical variation per tone: ~35.0 points (max − min per axis).

Poems by tone

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Katherine Philips

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