A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

George Sterling George Sterling

Poet B

Arthur O'Shaughnessy Arthur O'Shaughnessy
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Blended 75%
Swap sides Another related pair
George Sterling

George Sterling

1 December 1869 – 17 November 1926 (~57)
1 live poem · English

George Sterling was born on 1 December 1869 in Sag Harbor, Long Island, New York, and died on 17 November 1926 in San Francisco, California. During his lifetime he was celebrated, often extravagantly, as the foremost poet of the American Pacific Coast: a writer of redwood groves, desert immensities, sea fog, cosmic fire, erotic dream, and supernatural terror. His reputation later suffered a dramatic eclipse. The rich…

Neighbourhood: American Poets, Decadent Poets, Edwardian Poets, Symbolist Poets
Emotional landscape: Sorrow, Longing, Tenderness
Arthur O'Shaughnessy

Arthur O'Shaughnessy

14 March 1844 – 30 January 1881 (~37)
20 live poems · English

Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…

“An art in which I have as yet failed to perceive either morality or immorality.”

Neighbourhood: Decadent Poets, Pre-Raphaelite Poets, Symbolist Poets, Victorian Poets
Emotional landscape: Longing, Sorrow, Despair

In time

George Sterling
Arthur O'Shaughnessy
1844 1926
They overlapped for 13 years (1869–1881). When George Sterling was born, Arthur O'Shaughnessy was about 25. George Sterling was about 12 when Arthur O'Shaughnessy died.

On the map

About 5,426 km separate Sag Harbor, New York, USA from Ealing, London, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

George Sterling only

Arthur O'Shaughnessy only

From the biographies

social imaginative

George Sterling: sag harbor, san francisco, the testimony of the suns, a wine of wizardry, ambrose bierce, jack london, bohemian club, california poet. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The First Food
George Sterling
72% love, memory, life
Compare
A Life-Tomb
Arthur O'Shaughnessy
The First Food
George Sterling
72% love, world
Compare
When the Rose came I loved the Rose
Arthur O'Shaughnessy
The First Food
George Sterling
72% love, world, life
Compare
Fetters
Arthur O'Shaughnessy
The First Food
George Sterling
71% love, memory, life
Compare
Love After Death
Arthur O'Shaughnessy
The First Food
George Sterling
71% love
Compare
If She But Knew
Arthur O'Shaughnessy
The First Food
George Sterling
71% world
Compare
Silences
Arthur O'Shaughnessy

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

George Sterling: Sorrow, Longing, Tenderness. Arthur O'Shaughnessy: Longing, Sorrow, Despair.

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