Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
James Joyce
Arthur O'Shaughnessy
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
James Augustine Aloysius Joyce was born on 2 February 1882 at 41 Brighton Square, Rathgar, then a prosperous southern suburb of Dublin, and died on 13 January 1941 in Zürich, Switzerland. He is most often called a novelist, and rightly so: Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake altered the possibilities of prose fiction. Yet Joyce was also a poet, a singer, a critic, a dramati…
“Perhaps my idea will appear clearer to you when you have the text.”
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“I have been represented as saying with Baudelaire, ‘Art for Art’, and laying myself open to all the unfavourable limitations which that dictum is unjustly supposed to imply.”
About 452 km separate Dublin, Ireland from Ealing, London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
James Joyce: nora barnacle, ulysses, dubliners, finnegans wake, a portrait of the artist as a young man, jesuit education, bloomsday, trieste. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
James Joyce: Longing, Tenderness, Wonder. Arthur O'Shaughnessy: Longing, Sorrow, Despair.
Compare their emotional landscapesInstall V2Melody
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