A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Hood Thomas Hood

Poet B

Arthur O'Shaughnessy Arthur O'Shaughnessy
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 74% Poems 92% Blended 82%
Swap sides Another related pair
Thomas Hood

Thomas Hood

23 May 1799 – 3 May 1845 (~46)
25 live poems · English

Thomas Hood was born in London on 23 May 1799 and died there on 3 May 1845, only twenty days short of his forty-sixth birthday. He occupies a distinctive, sometimes deceptively difficult place in English literary history. To generations of readers he has been the author of jokes, puns, comic ballads, and apparently effortless verbal absurdities; to others he is the compassionate author of “The Song of the Shirt” and…

“A certain amount of opposition is a great help to a man. Kites rise against, not with, the wind.”

Neighbourhood: Death & Mortality, Light Verse Poets, Romantic Poets
Emotional landscape: Longing, Sorrow, Despair
Arthur O'Shaughnessy

Arthur O'Shaughnessy

14 March 1844 – 30 January 1881 (~37)
20 live poems · English

Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…

“As most of the poets translated are my immediate contemporaries”

Neighbourhood: Decadent Poets, Pre-Raphaelite Poets, Symbolist Poets, Victorian Poets
Emotional landscape: Longing, Sorrow, Despair

In time

Thomas Hood
Arthur O'Shaughnessy
1799 1881
They overlapped for 2 years (1844–1845). When Arthur O'Shaughnessy was born, Thomas Hood was about 45. Arthur O'Shaughnessy was about 1 when Thomas Hood died.

On the map

About 15 km separate The Poultry, Cheapside, London from Ealing, London, England. Both have ground in London and England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

Thomas Hood only

Arthur O'Shaughnessy only

From the biographies

social

Thomas Hood: london, the song of the shirt, the bridge of sighs, j. h. reynolds, whims and oddities, the dream of eugene aram, faithless sally brown, the plea of the midsummer fairies. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Death Bed
Thomas Hood
84% death, life, grief
Compare
Love After Death
Arthur O'Shaughnessy
The Death Bed
Thomas Hood
83% death, life
Compare
Death
Arthur O'Shaughnessy
It was not in the Winter
Thomas Hood
83% love, world
Compare
When the Rose came I loved the Rose
Arthur O'Shaughnessy
Silence
Thomas Hood
83% silence, world
Compare
Silences
Arthur O'Shaughnessy
To an Absentee
Thomas Hood
83% love
Compare
Love After Death
Arthur O'Shaughnessy
The Death Bed
Thomas Hood
82% life, grief
Compare
A Life-Tomb
Arthur O'Shaughnessy

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Hood: Longing, Sorrow, Despair. Arthur O'Shaughnessy: Longing, Sorrow, Despair.

Compare their emotional landscapes
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