A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard

Home › Glossary › Letter A

Argumentation

Metaphysics
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

The logical structure of presenting premises and conclusions to build a philosophical or theological case. Metaphysical poetry employs reasoning patterns similar to formal logic to convince readers of abstract truths.

Explore this topic in depth (1)

Metaphysical Poetry — Metaphysical poetry brings love, faith, science, death and the body into unusually close contact. Its poets—especially John Donne, George Herbert and Andrew Marvell—make poems that think aloud, argue fiercely and discover emotional force in surprising comparisons.

Detailed Definition
Metaphysical poets use argumentation to transform poetry into intellectual discourse, presenting chains of reasoning about love, mortality, faith, and the divine. This technique allows them to construct elaborate logical edifices within compact verses, making readers active participants in philosophical inquiry rather than passive recipients of emotion or description.
Example
Example in poetry:
John Donne’s “The Flea” uses logical argumentation to persuade a lover; Andrew Marvell’s “To His Coy Mistress” constructs a syllogistic argument about time and carpe diem; Alexander Pope’s “An Essay on Man” employs rational argumentation to justify divine order; In “Holy Sonnet XIV,” Donne argues with God using paradoxical logic (“Batter my heart”); W.H. Auden’s “Musée des Beaux Arts” argues implicitly about human indifference to suffering through ekphrasis; Phillis Wheatley’s “On Being Brought from Africa to America” uses theological argumentation to assert spiritual equality.
Additional Notes
Argumentation in metaphysics involves structured reasoning to explore first principles (e.g., existence, causality); metaphysical poets adopt this method poetically—using syllogisms, rhetorical questions, and dialectical structures—to persuade or unsettle, turning poems into intellectual performances where emotion and logic coexist, as seen in Marvell’s “To His Coy Mistress” blending carpe diem with metaphysical urgency.
Also Known As
Reasoning Dialectic Logical Discourse Ratiocination
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