Ronsard's "Épithalame de Monseigneur le Duc de Lorraine" celebrates an aristocratic marriage with all the conventions of the genre: invocation of the marriage god Hymen, praise of the bride's beauty, celebration of the groom's virtues, and prayers for fertile offspring; Catullus's "Carmen 61," the model for all subsequent European epithalamia, describes
the wedding procession, the bridal chamber, and the wedding night with a mixture of solemnity and erotic anticipation that established the genre's characteristic tonal blend;
Spenser's "Epithalamion," composed for his own wedding, is the genre's greatest
Renaissance example in English and was known to French poets who were similarly adapting classical models for contemporary aristocratic celebrations; A student composing an épithalame might address it to friends or family members at their wedding, using the genre's conventions of praise, prayer, and erotic delicacy to create
a poem that honors the occasion while demonstrating formal poetic skill; The épithalame's social function as
a gift poem, composed for a specific occasion and typically rewarded by the patronage of the celebrating family, reveals how much Renaissance poetry was produced
within a system of social exchange where poetic skill had tangible economic
value; The genre's erotic content, celebrating consummation as the legitimate goal of marriage, distinguishes it from the love
lyric's frustrated desire: where the sonnet sequence suffers, the épithalame celebrates, making it one of the few genres in French poetry where erotic fulfillment is openly and joyfully affirmed.