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Topic: Art
Showing 24 of 1,448 · page 25 of 61
“Art freedom and finality no more spring from excesses than from conservatism.”
Rejecting both artistic excess and rigid conservatism · Preface, Shadowy Thresholds (1919)
“Perhaps no narrative poet can do better than to ask himself if this be true.”
Urging narrative poets to test their craft against modern storytelling technique · Preface, Wraiths and Realities (1918)
“Yet the romanticist would seem to have the better theoretical viewpoint.”
Arguing that romanticism offers the broadest theoretical position · Preface, Wraiths and Realities (1918)
“We must have a truer and greater freedom than can be given by any change of verse form.”
Calling for artistic freedom deeper than formal experimentation · Preface, Trails Sunward (1917)
“Neither this excessive realism nor the exploitation of it will suffice to relieve our situation.”
Arguing that neither realism nor its promotion solves poetry's deeper problems · Preface, Trails Sunward (1917)
“But in the hands of these realists they become strangely self-conscious and artificial.”
Warning that deliberate naturalness can itself become artificial · Preface, Trails Sunward (1917)
“Never has poetry tried so hard to be prose as at the present time in America.”
Rejecting the collapse of poetic form into ordinary prose · Preface, Trails Sunward (1917)
“I cannot help sometimes feeling as if it were my true task to enlarge the sphere of Sacred Poetry, and extend its influence.”
Stating the religious and literary vocation she increasingly felt in later life · Late letter on Scenes and Hymns of Life, c. 1834
“It is their perpetual bitterness, and jealousy, and strife, from which I turn with so much dislike.”
Rejecting the hostility and rivalry she encountered in literary reviewing · Letter fragment, familiar correspondence
“I do not think I can bear the burden of my life without music, for more than two or three days.”
Showing how essential music was to her emotional life · Letter fragment, familiar correspondence