Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Katharine Lee Bates
Harold Monro
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Katharine Lee Bates was born on 12 August 1859 in Falmouth, Massachusetts, on Cape Cod, and died on 28 March 1929 in Wellesley, Massachusetts. Her name is permanently associated with “America the Beautiful,” one of the most familiar and resonant poems in United States culture. Yet the anthem has sometimes obscured the range of the woman who wrote it. Bates was not simply a patriotic versifier who happened to find a m…
“And still I would almost rather meet a new dog than a new poet.”
In the heart of Georgian London, amid the tumult of a literary revolution that would reshape English poetry forever, stood a slight, melancholic figure whose contribution to modern literature far exceeded his own poetic achievements. Harold Edward Monro, born on March 14, 1879, in Brussels to Scottish parents, would become the impresario of modernism, the keeper of poetry's most famous bookshop, and a poet whose work…
“Great poetry could only emerge after indefatigable discussion, unending fearless experiment.”
About 5,608 km separate Falmouth, Massachusetts, USA from Brussels, Belgium. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Katharine Lee Bates: falmouth, wellesley, america the beautiful, wellesley college, william bates, cornelia frances lee bates, katharine coman, the scarab. Harold Monro: brussels, georgian poetry, the poetry review, poetry bookshop, milk for the cat, children of love, strange meetings, the earth for sale.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Katharine Lee Bates: Spirituality, Wonder, Longing. Harold Monro: Longing, Tenderness, Wonder.
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