Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Walter de la Mare
Arthur O'Shaughnessy
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Walter John de la Mare was born on 25 April 1873 at Charlton, then in Kent and now part of southeast London, into a family whose circumstances were modest but whose cultural inheritance was unusually varied. His father, James Edward de la Mare, worked as an official at the Bank of England; his mother, Lucy Sophia Browning, came from a family with Scottish connections. The surname preserved a French Huguenot ancestry,…
“Only the rarest kind of best is good enough for the young.”
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“Truly, I think that a little ‘Art for Art’ has already done a great deal of good in England, and that a little more is needed, and would be equally beneficial.”
About 100 km separate Canterbury, Kent, England from Ealing, London, England. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Walter de la Mare: charlton, st paul's cathedral choir school, songs of childhood, the listeners, the three mulla-mulgars, peacock pie, elfrida ingpen, henry newbolt. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Walter de la Mare: Wonder, Peace, Tenderness. Arthur O'Shaughnessy: Longing, Sorrow, Despair.
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