Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Robert Louis Stevenson
Lola Ridge
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Robert Louis Stevenson was born in Edinburgh on 13 November 1850, into a family whose public achievements seemed to prescribe his future long before he could choose one for himself. His father, Thomas Stevenson, was a distinguished civil engineer and designer of lighthouses, heir to a formidable Scottish professional dynasty. His mother, Margaret Isabella Balfour Stevenson, came from another prominent family; her fat…
“Nothing is so exhilarating as to be shot at without result.”
Lola Ridge stands as a compelling and somewhat enigmatic figure in the landscape of early twentieth-century American poetry. While her name may not resonate with the same immediate recognition as her contemporaries Ezra Pound, H.D., or William Carlos Williams, her contribution to the modernist movement was profound, particularly in her fusion of avant-garde aesthetics with unflinching social realism. Born on December…
“I shall try to show that woman has not only a creative will, but a very great future in creative art.”
About 350 km separate Edinburgh, Scotland from Dublin, Ireland. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Robert Louis Stevenson: edinburgh, thomas stevenson, fanny van de grift osbourne, strange case of dr jekyll and mr hyde, treasure island, the sea cook, an inland voyage, travels with a donkey in the cévennes. Lola Ridge: greenwich village, the ghetto, red flag, sun-up and other poems, david lyman, the little review, margaret anderson, social realism.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Robert Louis Stevenson: Peace, Joy, Wonder. Lola Ridge: Sorrow, Despair, Irony.
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