A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



1925

Event dated March 1925

Purchase of Steepletop Farm in Austerlitz, New York

Poet involved

What happened

In March 1925, Millay and her husband Eugen Boissevain purchased an abandoned 435-acre blueberry farm on a hilltop in Austerlitz, New York, for $9,000, naming it Steepletop after the wild steeplebush that grew on the property. The couple moved to the isolated farm in the Berkshire foothills, where Millay would live for the rest of her life, writing in a small shack separate from the main house. The purchase marked a decisive shift from urban bohemian life to rural seclusion, providing Millay with the privacy and natural setting she increasingly craved.

Literary impact

Steepletop became Millay's primary creative sanctuary, where she composed some of her finest later work, including the sonnet sequence Fatal Interview (1931), in a quiet, nature-infused environment. The farm's rural isolation and the responsibility of managing the property influenced her poetry's themes of solitude, mortality, and the cycles of nature, while also providing a retreat from the pressures of fame.

Source: Wikipedia

Poets alive in 1925

198 poets

More events in 1925

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