Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Paul Valéry
Elizabeth Stoddard
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the autumn of 1871, as France was still reeling from the trauma of the Franco-Prussian War and the violent suppression of the Paris Commune, a child was born in the Mediterranean port town of Sète who would become one of the twentieth century's most formidable literary intellects. Ambroise Paul Toussaint Jules Valéry entered the world on October 30th, in a region where the brilliant southern light seemed to sharpe…
“We are made to ignore that we are not free.”
On a spring day in 1823, in the small coastal village of Mattapoisett, Massachusetts, a child was born who would grow to become one of the most original and underappreciated voices in nineteenth-century American literature. Elizabeth Drew Barstow entered the world on May 6, in a town where the rhythms of the sea shaped daily existence and where salt spray and shipbuilding defined the community's character. The second…
“Genius ‘cometh from afar,’ and its ‘trailing clouds of glory’ are not for us to grasp while we are in the prison-house of the commonplace.”
About 5,894 km separate Sète, Occitanie, France from Mattapoisett, Massachusetts, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Paul Valéry: sète, franco-prussian war, paris commune, symbolist movement, stéphane mallarmé, la jeune parque, le cimetière marin, charmes. Elizabeth Stoddard: mattapoisett, new york city, richard henry stoddard, nathaniel hawthorne, the morgesons, two men, temple house, wheaton female seminary.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Paul Valéry: Longing, Sensuality, Tenderness. Elizabeth Stoddard: Sorrow, Wonder, Spirituality.
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