A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



1927

Event dated 17 February 1927

Premiere of 'The King's Henchman' at the Metropolitan Opera

Poet involved

What happened

On February 17, 1927, Millay's opera libretto, The King's Henchman, with music by Deems Taylor, premiered at the Metropolitan Opera in New York City, conducted by Tullio Serafin. The opera, based on an Anglo-Saxon legend, was commissioned by the Met and became the most popular American opera up to that time, selling out four editions of the published libretto within its first twenty days. The premiere was a major cultural event, showcasing Millay's versatility as a dramatist and librettist.

Literary impact

The success of The King's Henchman demonstrated Millay's ability to write for the stage and reach a mass audience beyond the poetry-reading public, further cementing her status as a major American artist. The work's medieval setting and tragic themes reflected her ongoing interest in historical and mythological subjects, while the collaboration with Taylor expanded her creative network.

Source: WCSU Archives

Poets alive in 1927

189 poets

More events in 1927

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